CREATIVE WRITING CLASSES
Upcoming: January 15, 2022
The Things People Say: Writing Effective Dialogue in Fiction and Memoir
Do you ever find while writing fiction or memoir that your dialogue feels “flat” or uninspired? In this class, we will explore the different functions of dialogue in prose writing and discuss how to enliven it so that it zings.
Dialogue can be used to contribute to character development, to summarize situations, and to reveal emotional subtext (often in direct contrast to character action!). Using a series of examples from literature and film, we will analyze and discuss a variety of approaches to getting at the things people do (and don’t) say.
Register here: Maine Writers & Publishers Alliance
Backstory & Other Narrative Elements in Fiction
Fiction writers, especially novelists, often focus on writing scenes, which function to move a story forward. But what about the other elements of narrative—summary, exposition, interiority, and commentary—the ones that add depth and nuance and increase reader engagement with characters and situations?
Think of Mrs. Dalloway without interior monologue, or The Great Gatsby if Jay Gatsby’s backstory was simply plunked in the first chapter. This class will focus on how to effectively deploy these narrative elements.
Being There: Defining Sense of Place in Poetry & Prose
For both poets & prose writers, a clear sense of place—one that accesses not only geographical features, but also elements of memory, cultural identity, and regional character—can ground writing in concrete detail, while allowing for the complexity of subjective experience.
This talk will examine the essential elements of defining and writing place; participants will then investigate place in their own work through guided writing exercises.
Substance as Style: What Noir Writing Can Teach Us about Literary Form
As a genre, noir fiction explores flawed protagonists, individuals attempting to negotiate a corrupt society, and propulsive, plot-driven language that embraces the vernacular. What can this very American literary form teach fiction writers about nuance in character development, innovative approaches to building tension in a narrative, and the ways setting impacts plot?
Two for the Road: Cross-Disciplinary Collaboration, Travel, & Identity
This talk explores different approaches to the collaborative process through the lens of several projects undertaken by writer Tanya Whiton and photographer Heidi Killion (Two for the Road: Adventures in Maine). Touching on the different ways artists can work together across disciplines, it also addresses some of the challenges inherent to cross-disciplinary collaboration—and ways to overcome them.
Don’t Submit, Share! How to Manage the Process of Publishing in Literary Journals
Many well-intentioned writers enthusiastically set out to submit their work to literary journals, only to encounter numerous roadblocks.
This seminar demystifies the submission process by offering strategies for overcoming obstacles, clarifying personal goals, and creating a simple, actionable plan to get one’s writing in front of editors and, ultimately, readers.
Start Where You’re Standing: How to Create & Develop Your Writer’s Platform
Whether you’re just starting out, on the road to publication, or have already published a book, creating and maintaining your “author platform” is part of the business of being a writer. Simply put, a platform is defined by a) who you are and b) who you want to reach.
This talk will outline the essential functions and elements of an author platform (focusing on web sites, social media, and events); share tools for participants to assess their own efforts; and offer tips for integrating creative and promotional work to reflect one’s unique vision and mission as a writer.